Creature Features: The Classics

Seeing as it’s October and Halloween is around the corner we have decided to make this month’s theme a compilation of the horrors and thrillers the film industry has to offer. We have chosen a couple of movies that are definitely worth a mention and that might spark some memories from your childhood.

It [1990]

In 1960, a group of social outcasts who are bullied by a gang of greasers led by Henry Bowers are also tormented by an evil demon who can shape-shift into a clown and feed on children’s fears and kill them. After defeating the demonic clown as kids, it resurfaces 30 years later and they must finish it off as adults once again.

This TV Mini-Series based on the book written by Stephen King was definitely one of the scariest movies of its time and most definitely one of the main reasons people are afraid of Clowns. It is currently being remade under the direction of Andreas Muschietti and will be released in late 2017.

The Fly [1986]

Seth Brundle, a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote “Be afraid. Be very afraid.”

#DidYouKnow, the infamous cat-monkey scene where Brundlefly fuses a cat and the remaining baboon and then beats it to death with a lead pipe was cut following a Toronto screening. According to producer Stuart Cornfeld the audience felt that there was no turning back for Seth and they lost all sympathy for his plight, which caused the rest of the film to not play as well. In Cornfeld’s own words: “If you beat an animal to death, even a monkey-cat, your audience is not gonna be interested in your problems anymore”.

Gremlins [1984]

Miniature green monsters tear through the small town of Kingston Falls. Hijinks ensue as a mild-mannered bank teller releases these hideous loonies after gaining a new pet and violating two of three simple rules: No water (violated), no food after midnight (violated), and no bright light. Hilarious mayhem and destruction in a town straight out of Norman Rockwell. So, when your washing machine blows up or your TV goes on the fritz, before you call the repair man, turn on all the lights and look under all the beds. Cause you never can tell, there just might be a gremlin in your house.

#DidYouKnow, the set for Kingston Falls is the same one used for Back to the Future (1985). Both movies were filmed in the Universal Studios backlot.

Leprechauns [1993]

When Dan O’Grady returns to the U.S. after stealing some Irish leprechaun’s pot of gold, he thinks he can settle down and enjoy his newfound wealth. He thought wrong. The leprechaun followed him and O’Grady barely gets away with his life, having locked the little monster in his basement. Ten years later, J.D. and his spoiled daughter Tory move in. By accident, the leprechaun is released and almost immediately the annoying creature starts to look for his gold, not displaying any respect for human life.

#DidYouKnow, according to the director, Warwick Davis, the movie was originally planned as a scary kid’s film, but the studio thought it would work better as a more adult horror, so inserts were filmed to increase the gore and violence.

All these movies have a few things in common: Growing up they were the scariest movies around and it haunted our dreams for years to come. We were definitely not allowed to watch them and because of that reason we wanted to watch them even more no matter the consequences. At Retro Afrika Bioscope we love our old Classics so we hope this sparked a new flame of nostalgia so you can curl up in front of the TV with your favorite childhood scary movie this October, if you dare!!!

Movie content source: http://www.imdb.com/?ref_=nv_home

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Retro Afrika Bioscope celebrating Heritage Day

This Saturday South Africa will be celebrating Heritage Day. And with Retro Afrika Bioscope playing such a significant role in restoring and preserving this beautiful country’s diverse film heritage it seems only fit to dedicate a blog to this awesome day!!! It’s also very important to remember where it all started and what significance it has to the people of South Africa and our rainbow nation.

The History

In an address marking Heritage Day in 1996, president Nelson Mandela stated:

“When our first democratically-elected government decided to make Heritage Day one of our national days, we did so because we knew that our rich and varied cultural heritage has a profound power to help build our new nation.”

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And thus Heritage Day was born, to be celebrated every year on the 24th September. With such a diverse culture and rather than focusing on the cultural divisions, a recent initiative by the Braai4Heritage called upon all South Africans to celebrate their common roots by having a Braai (BBQ) on Heritage Day.

Retro Afrika Bioscope has been dedicated to preserving and restoring lost and forgotten films produced in the 1980’s. These films might never have been seen by modern audiences if it wasn’t for this project. We started the long process of sourcing these films and restoring them to their former glory and today they are accessible on various platforms such as DVD and Video on Demand. In South Africa we have partnered with DSTV’s Mzansi Bioskop, channel (164) in bringing these once forgotten African Classics into your living room and this Sundays movie will be ‘Isiqalekiso’ [1980]’.

Isiqalekiso [1980’s]

After hearing a story of missing golden treasure, a group of young boys set out on an adventure to look for it. After some time, they eventually find a box believed to be the missing gold. But very soon, the group of friends is overcome with gold-fever and it’s not long before they start turning on one another. When a local thug discovers that the boys have indeed found the hidden treasure, he manages to steal it away from them, and the friends are forces to reconcile and come together in order to retrieve their find and get their own back on the thief.

So how are you going to spend your Heritage Day? If you’re living outside of South Africa. why not go onto FilmDoo, Hoopla Digital or Bigstar to browse through our catalog of movies and stream these Lost African Classics. You never know, you might find your next favorite between the rich treasures that is South Africa’s film pride and joy.

 

International Women’s Month: Quotable quotes by Famous Women in Film

In honor of women in film we have compiled a list of famous quotes by these elegant, beautiful and talented women. So sit back, relax and enjoy the trip down memory lane!!!!

Practical Magic [1998]

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Nicole Kidman as ‘Gillian Owens’ in Practical Magic

Midnight in Paris [2011]

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Marion Cotillard as ‘Adriana’ in Midnight in Paris

The Color Purple [1985]

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Whoopi Goldberg as ‘Celia’ in The Color Purple

Pretty Woman [1990]

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Julia Roberts as ‘Vivian’ in Pretty Woman

My Big Fat Greek Wedding [2002]

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Nia Vardalos as ‘Toula Portokalos’ and Lainie Kazan as ‘Maria Portokalos’ in My Big Fat Greek Wedding

The Help [2011]

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Viola Davis as ‘Aibileen Clarke’ in The Help

Before Sunset [2004]

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Julie Delpi as ‘Celine’ in Before Sunset

Sex and the City [1998]

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Kim Cattrall as ‘Samantha Jones’ in Sex and the City

And finally this quote might not be from a particular movie but it sure is worth adding and very true!!! Marilyn was the pure embodiment of female strength, beauty and empowerment. And even though she was not always well behaved in her short but fulfilling life, she definitely made history!!! Happy Women’s Month to all the wonderful women in the world that are making a difference.

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International Women’s Month: Leading Ladies who have passed

Women continue to embrace our screens with talent, charm, and wit, and it is with this statement that we find it necessary to honour the lives of many great female stars who are no longer with us today. These women revolutionised the world of stardom, and put forward impeccable performances for their audiences. Thus, it goes without saying that these women should be commended for their inspirational performances, elegance, and talent. Here are five films we encourage you to watch, starring Grace Kelly, Judy Garland, Jean Harlow, Thelma Todd, and last but not least, Marilyn Monroe.

Rear Window [1954]

Professional photographer L.B. “Jeff” Jeffries breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Freemont, played by the lovely Grace Kelly, and his visiting nurse Stella to investigate.

Rear Window

Meet me in St.Louis [1944]

St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther, played by the wonderful Judy Garland, and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transferred to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.

Meet me in St. Louis

Libeled Lady [1936]

Warren Haggerty is the chief editor of the New York Evening Star. He is married to Gladys, played by Jean Harlow, and keeps on delaying his marriage with her because of problems his newspapers must face. When it is filed a 5 million dollars claim by Connie Allenbury for having printed she is a marriage-breaker, he organizes the unconsummated marriage of Gladys and the don Juan Bill Chandler. The goal is to catch Connie alone with a married man…

Libeled Lady

Horse Feathers [1932]

Professor Quincy Adams Wagstaff has just been installed as the new president of Huxley College. His cavalier attitude toward education is not reserved for his son Frank, who is seeing the college widow, Connie Bailey – played by the talented Thelma Todd. Frank influences Wagstaff to recruit two football players who hang out in a speakeasy, in order to beat rival school Darwin. Unfortunately, Wagstaff mistakenly hires the misfits Baravelli and Pinky. Finding out that Darwin has beaten him to the “real” players, Wagstaff enlists Baravelli and Pinky to kidnap them, which leads to an anarchic football finale.

Horse Feathers

Some Like It Hot [1959]

When two Chicago musicians, Joe and Jerry, witness the St. Valentine’s Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They’re desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk, played by the breath-takingly beautiful Marilyn Monroe, who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords.

Some like it Hot

These leading ladies have set a high standard for today’s generation of female stars, and although there are many talented performers today, there is something about the elegance, beauty and femininity which these ladies possessed that defined their era.

Bringing Lost African Gems Straight to your Living Room on Mzansi Bioskop

Gravel Road Entertainment Group’s Retro Afrika Bioscope and Mzansi Bioskop have teamed up to bring you a starlit line up of lost and forgotten South African films. Over the next couple of months, you can tune in every Sunday at 8pm to DSTV Channel 164, Mzansi Bioskop to feast your eyes on some of the most authentically South African films that was produced in the 70’s and 80’s. These films showcase all-African casts and in a number of local languages with English subtitles.

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“Umbango” will have it’s first ever TV premiere this coming Sunday. The film was produced and directed by Tonie van der Merwe, starring Popo Gumede, Hector Mathanda and Kay Magubane and is arguably one of the first all African cast isiZulu Westerns. The film was digitally restored by Gravel Road Entertainment Group and was, together with the film Joe Bullet, official selection in the Forum section at the Berlin International Film Festival in 2015. Both films had sell out audiences at the festival. “As the first producer and director of an African language film, it gives me great pride to finally get some recognition for our contribution to the South African film industry. I am proud of what we have achieved and it’s a great honour and privilege to experience this moment. It’s a shame that most of these actors such as Ken Gampu, Joe Lopez and Hector Mathanda cannot be here today to see these films on TV. Thank you again to all the actors and my colleges. I salute you!!” says Tonie van der Merwe.

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About “Umbango”
When Kay Kay, a powerful, ruthless businessman sets out on a mission of revenge against two men accused of killing his brother, he strong-arms the local sheriff into forming a posse of thugs to aid in his vendetta. But when Jet and Owen, the two easy going friends, learn of the gang out for their blood, they prepare to stand their ground and fight back. It all comes to a head in a final gun-fight, a showdown in the small western town where blood will have to be split if the friends wish to come out of this alive.

Retro Afrika Bioscope is Gravel Road Entertainment Group’s specialty release label for classic retro African content. In 2013, Gravel Road launched an initiative to locate, digitally restore and re-release films produced for the oppressed majority (African) audiences in the 70’s and 80’s under the old South African film subsidy schemes. All films being released by Retro Afrika Bioscope undergo a highly specialized digital restoration process.

The line-up of films for the month of July includes, Abathumbi (Starring: Innocent Gumede and Khulekani Magubane), Zero for Zep (Starring: So Mhlanga and Khulekani Magubane), Umgulukudu (Starring: Roy Dlamini and Mandla Ngoya) and Thunder Valley (Starring: Roy Dlamini and Mandla Ngoya).

More information on these films are available on:
Facebook Page – https://www.facebook.com/retroafrika/
YouTube Channel – https://www.youtube.com/channel/UCMR66tlg7C2Yp-10tHNH1SA

Finding the Forgotten Cinematic Jewels of Africa

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Gravel Road Entertainment Group is a Cape Town based entertainment company that focuses on creating quality film content. Aimed to enrich people’s lives and designed to be distributed across all market channels.

We then thought of an innovative idea to be distinct from other Film Companies and gave birth to a creatively genius idea. This is when Retro Afrika Bioscope was born. The initial idea behind this speciality release label was to locate, acquire, restore and expose once discarded and forgotten Classic African films to a whole new generation of African Cinema lovers around the world. Many of these films were banned from South African screens back then.

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These stories brought some form of elude from what was happening in South Africa during 1960 till 1990. We all know that apartheid was brutal at that time and entertainment was very minimal due to South Africa’s harsh policies.

Even though black South African actors were very exploited back then we could see from the content they were generating that they loved what they were doing and enjoyed the platform they received which means they were made for this and nothing else made them happier than being in front of the camera.

All in all, these films, filmmakers and actors created a legacy for themselves and made a historical monument which Gravel Road Entertainment Group has brought forth and allowed our generation to enjoy Mzanzi’s own film ancestors. “Mayibuye I’Retro Afrika Bioscope Mayibuye” enjoy the African Cinematic jewels!!!

Written by: Thokozile Nwebani

Tonie van der Merwe receives a Lifetime Achievement Award at the 11th Africa Movie Academy Awards (AMAA) in Port Elizabeth.

Cape Town – Tonie van der Merwe, once dubbed the father of the “black” film industry in South Africa, received the Life Time Achievement award last week at the Africa Movie Academy Awards in Port Elizabeth. Mr. van der Merwe created some 400 films in the 1970s and ’80s, including“Joe Bullet,” one of the country’s first all-black cast film.

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His movies launched the careers of many African actors and nurtured a generation of African film technicians and production hands. The majority of his films were distributed by means of an informal rural distribution network, reaching audiences estimated at in excess of hundreds of thousands.

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In 1973 the South African film Joe Bullet was banned by the apartheid government after its second screening at the Eyethu Cinema in Soweto. Though the ban was later lifted, producers never pursued another release until 2013.

The film premiered at the 2014 Durban International Film Festival. It also featured at the To Save and Project Film Preservation Festival in New York in November 2014. It was then screened at the Carthage International Film Festival in Tunisia, after which it travelled to Germany for the 65th Berlinale Film Festival in February 2015.

Established in 2005, AMAA aims to facilitate the development and relevance of African film & cinema by providing a rewards & recognition platform for filmmakers on the continent. African film makers work hard with very little and have, not through serendipity but through sheer audacity, managed to build the 3rd largest film industry in the world, and are poised to take poll position, beating America and India.

Today, African films serve as a link for Africans in the Diaspora with Africans at home. These films have the potential to serve as a shared collective experience, a reminder that Africa is a vibrant continent filled with colour, energy and possibility.

Tonie, on receiving his award, “I’ve had a good inning as a film maker and it’s probably time to pack away the cameras and lights, but I want to make one last film with an African producer. Hopefully in the near future.”

Content inspired by:

Screen Africa article 14th October 2014

AMAA website: http://www.ama-awards.com/v/index.php/amaa/about-amaa