What Was Happening When

1980 – Impango 

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January

14 – The local community at Soekmekaar resists forced removal and damages the police station.

March

12 – The Nederduits Gereformeerde Kerk (NGK) together with its sister churches for Blacks (the NGK in Afrika), Coloureds (the NG Sendingkerk) and Indians (the Reformed Church in Africa), issue a statement that the Churches will bring no objection in principle should authorities judge that circumstances justify reconsideration of the Immorality Act and the Mixed Marriages Act.

April

4 – Umkhonto we Sizwe attacks the Booysens Police Station in Johannesburg with grenades, rocket launchers and AK47s.

May

2 – Pink Floyd’s Another Brick in the Wall is banned because the government fears that it might be used as a song of liberty by black school children.

June

1 – Bombs explode at Sasol One and Two and Natref Eight at Sasolburg and Secunda, with no injuries and RM58 damage. The attack was organised by Solomon Mahlangu of the Umkhonto weSizwe Special Operations.

August

Special Branch policeman Detective-Sergeant T.G. Zondi is shot at in Sobantu Village.

October

14 – The Soweto community calls for a stayaway to protest against rent increases.

November

21 – A terrorist is killed in Chiawelo and a child is injured by police in the process.

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Lennox Mncedisi Gxasheka – Data Lab

Lennox Mncedisi Gxasheka

Photos by: Patrick Ryan

Shot on location at Waterfront Film Studios, Cape Town

Lennox has been intrigued by film from a young age. When he became a working professional, he jumped at the opportunity to work in the duplication of movies onto video format at the “Six Street Post Production” facility in Johannesburg, now known as “The Refinery“.

His training included all aspects; working on tape decks and ultimately producing the master copies for various television stations.

When the industry made the transition to digital, Lennox began training on the Final Cut program in order to work in the data lab facility. Using these abilities has been working on the restoration process whereby master copies can now be duplicated onto DVD’s.

Lennox Mncedisi Gxasheka

Jonathon Joubert – Picture Restoration

Jonathon Joubert

Photos by: Patrick Ryan

Shot on location at Waterfront Film Studios, Cape Town

Jono started his career in post production as an editor working on Final Cut and Avid, before becoming involved as a data lab operator doing digital deliveries, tape play-outs and mastering for feature films.

With a passion and love for film, along with a technical mind-set, film restoration became an obvious choice for Jono. He happily spends countless hours at a time painstakingly painting each and every frame of film. The aim is to bring it as close to its original and perfect form as possible.

This attention to detail might not always be noticed by audiences, but the opportunity to restore a piece of South Africa’s history- and the knowledge that it has been done right- is what brings him satisfaction.

Jonathon Joubert

 

Kyle Stroebel – Colourist

Kyle Stroebel

Photos by: Patrick Ryan

Shot on location at Waterfront Film Studios, Cape Town

Forged in the fiery cauldrons of a film school far, far away….. Kyle served under some of the greatest mentors Table Mountain’s shadow has ever witnessed. Over the years he has finely tuned his eyes with the help of these Masters’ gifts (and a staple diet of chicken nuggets and protein shakes), into a force to be reckoned with.

Accustomed to darkness, with only the light of his monitors to keep him company, his pale complexion is a testament to his acute attention to detail, colour gradients and ravishingly pale good looks. After emerging from the cut-throat realm of commercials into the light of long-form post-production work, Kyle has numerous international feature film notches on his belt. Many have been screened at the Cannes and Sundance Film Festivals.

Having mastered his craft on the digital platform, he has a refined touch for film restoration and has partnered with his Telecine in a somewhat twisted matrimony.

Rest assured that upon emerging from Kyle’s editing suite you’re guaranteed of leaving with a pretty picture, both on-screen and off.

Kyle Stroebel