+ During the 1910s and 1920s, many South African films were made in or around Durban. These films often made use of the dramatic scenery available in rural KwaZulu-Natal, particularly the Drakensberg region.
+ KwaZulu-Natal was also served as the appropriate location for historical films such as De Voortrekkers (1916) and The Symbol of Sacrifice (1918)
+ Sarie Marais, the first Afrikaans-language sound film, was released in 1931. Subsequent sound releases such as Die Wildsboudjie(1948), a 1949 Sarie Marais remake, and Daar doer in die bosveld (1950) continued to cater primarily to white, Afrikaans-speaking audiences.
+ The 1950s saw an increased use of South African locations and talent by international filmmakers. British co-productions like Coast of Skeletons (1956) and American co-productions like The Cape Town Affair (1957) reflected the a growing trend of shooting in real locations, rather than using backlots.
The Silwerskerm Film Festival is an annual gathering for mostly Afrikaans filmmakers. It’s a 4-day marathon which showcases the best new South African films at the kykNET Silwerskermfees. The festival is predominantly Afrikaans, but English stand-outs like the Durban International Film Festival award-winning “Durban Poison” was also screened.
In addition to the feature films, the end results of a competition that develops script ideas from first-time filmmakers of all ages were screened. This isn’t just a film festival that showcases the best of the best. It nurtures new talent and gives it a valuable platform.
One of our more recently restored films, “Trompie”, was also screened at the venue. Directed by legendary Tonie van der Merwe in the 70’s, about 15-30 people in the room watched as a digitally remastered version of a South African classic was screened. “Trompie” is a compact, highly enjoyable and kinetic comedy feature.
“Trompie” also has some well-crafted English subtitles for non-Afrikaans audience.