+ During the 1910s and 1920s, many South African films were made in or around Durban. These films often made use of the dramatic scenery available in rural KwaZulu-Natal, particularly the Drakensberg region.
+ KwaZulu-Natal was also served as the appropriate location for historical films such as De Voortrekkers (1916) and The Symbol of Sacrifice (1918)
+ Sarie Marais, the first Afrikaans-language sound film, was released in 1931. Subsequent sound releases such as Die Wildsboudjie(1948), a 1949 Sarie Marais remake, and Daar doer in die bosveld (1950) continued to cater primarily to white, Afrikaans-speaking audiences.
+ The 1950s saw an increased use of South African locations and talent by international filmmakers. British co-productions like Coast of Skeletons (1956) and American co-productions like The Cape Town Affair (1957) reflected the a growing trend of shooting in real locations, rather than using backlots.
Over the past 12 months we’ve used ourselves as guinea pigs in a new realm. We’ve worked to see whether it’s the old or new films from South African history which inspire you, we’ve learned how to debut our films abroad, and we’ve found better ways to work, write and create.
The process has been enlightening, productive and ultimately just a lot of fun.
With the new year now in full swing, we’ve put away our holiday overindulgences to take time to reflect on some of our favourite (and most popular) articles of 2014:
Framegrabs of “Trompie”
Silwerskerm Film Festival
Interview with Tonie Van Der Merwe
KEY CREW & CAST
||Crime / Drama
Themba is released from serving two years in prison for his best friend, Vusi. Upon his release, he discovers that Vusi, the car thief, has been sleeping with his girlfriend, Thandi. Themba decides to change his fate and become a snitch – helping the police put an end to Vusi’s on-going crime spree. Vusi has Thandi executed, blaming her for his current misfortunes. Themba moves the final chess piece into place, resulting in Vusi’s ultimate demise and capture.
The Silwerskerm Film Festival is an annual gathering for mostly Afrikaans filmmakers. It’s a 4-day marathon which showcases the best new South African films at the kykNET Silwerskermfees. The festival is predominantly Afrikaans, but English stand-outs like the Durban International Film Festival award-winning “Durban Poison” was also screened.
In addition to the feature films, the end results of a competition that develops script ideas from first-time filmmakers of all ages were screened. This isn’t just a film festival that showcases the best of the best. It nurtures new talent and gives it a valuable platform.
One of our more recently restored films, “Trompie”, was also screened at the venue. Directed by legendary Tonie van der Merwe in the 70’s, about 15-30 people in the room watched as a digitally remastered version of a South African classic was screened. “Trompie” is a compact, highly enjoyable and kinetic comedy feature.
“Trompie” also has some well-crafted English subtitles for non-Afrikaans audience.